For whom the bull tolls

Khalid Mohamed locks horns with India’s Oscar entry Jallikattu, Alt Balaji’s Bicch...

Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

Hidden Prejudices

After the uproar over the denial of restroom access to two African American men, on May 29, the coffe...

Forgotten People

There has been very little work across media on the tragedy of Kashmiri Pandits, who were turned into refugees ...

Yeh Hai Mohabbatein: Playing The Love Card Right

Balaji Telefilms has always grabbed eyeballs since its inception and held people’s attention gaining a devout viewership for their intriguing daily soaps with a conte...

Humour In Adversity

It would be difficult to imagine how a divorce could be turned into a comedy--but this is what writer-director Imran Rasheed has done with his new play Phir Se Shaadi!...